Friday, November 19, 2021

 Learning from Mistakes is Growing

Photo by Daniela Simina, 2020
 

In a pervious post, “On Equinox, Balance and Finding Cohesiveness in Personal Practice”, I mentioned my wish to offer a sort of roadmap for those pursuing a fairy-led path, whether by their own deliberate choic or just found themselves wondering on one. Each journey is unique, so please think of this as a set of trail markers rather than a map per sè.  Far from perfect, rooted as it is in my own experiences and therefore colored by these, this set of trail markers is an attempt I make to assist all travelers on fairy-led paths in whatever small way I can. If any bit of this proves useful, I am going to very, very glad. 

I came to believe that I could learn about the gods and fairy lore of a culture relying exclusively on sources provenient from outside that culture. There was a time in my life , thankfully long, long ago, when I jumped at every book with the word Celtic in the title. Celtic, mind you, not even Irish. (I want to hide underneath the desk as I’m thinking of it. Anyway.) One day, I came about a teacher[1] who was adamant about the need to research thoroughly  about deities and other powers, within the context of their native culture. He even mentioned about getting familiar with bits of language from the culture itself and use those to strengthen the connection. When I heard that, I paused and gasped because few years prior, I had had an experience with one particular spirit being who told me that I must learn her language to understand her teachings.

I stopped looking up books about so-called ‘Celtic culture' [2], and refocused instead on the ones on Irish mythology. I begun to realize that the teacher was right. The powers, gods and ungods that I wanted to learn about had to be analyzed in the context of their native mythology. Which meant no shortcuts, no buying into fabricated, mishmash robot portraits of the Irish gods on flashy websites of dubious quality. It also dawned on me that the study of mythology cannot be divorced from studying the old, modern and contempoary lore and folklore. I realized the neccessity to learn as much as possible about the culture itself, including getting familiar with the language. But I’ll come back to language a little later.

Another important aspect that goes hand in hand with one one discussed above was discernment about who to trust. I understood that I should listen to the voices of those who have a real and deep connection to the culture I was interested in, Irish in this case. In looking up authors and teachers dedicated to the study of Irish mythology, folklore and traditions I followed those who balance the esoteric and academic points of view. I did a lot of reading, but also  began attending lectures and classes. 

Photo by the author, 2021

The richness, the freshness, the amazement that I felt while diving into this new course of study, well, it didn’t last long. The most unpleasant part of the process, the unlearning or decluttering phase,  laid just ahead of me and it’s called unlearning.  Over the years, I had accumulated a lot of pseudo-knowledge, fanatsy passed around as genuine belief or practice, all kinds of misinformation and distorted lore. In order to build a personal practice which properly aligned with other cultural traditions yet authentic to me, a spiritual seeker living in the twentifirst centurey, I had to purge an awful lot from my spiritual closet.  

For everyone going through ‘closet cleansing,’ you have my deepest sympathy. Unlearning can be very challenging and painful. Things that were once cornerstones may have to be dislodged and thrown away. When you dislodge a cornerstone, entire walls from the old edifice might crumble. Sadness, uncertainty, and doubt may be creeping because we get atteched to things that we have been doing or believeing in for long time. Be willing to undergo the process because the outcame is worth every bit of effort and what now feels like sacrifice. Hard as it may be, don’t be afraid to reconsider some of the beliefs you hold. When the dust from the demolition begins to settle, you will get the rewarding sight of a bright horizon, and a clear space to build anew the edifice that is your personal practice. Do not mourn all the time, effort, money spent on books, supplies etc. It occurred to me that all the resources that I had invested, were not wasted: in the process of ingagig with that large assortment of materials abd teachers I developed skills and study habits which came in handy when I started from scratch. I also developped the ability to spot good sources, whether books, blogs, courses and teachers which in thelong run saved me time, money and effort.

If you are struggling to find the teacher that is right for you, my suggestion is to ask for assistance from your spirit guides, support your request for help with ritual action and then back it up with practical steps. Aim to find teachers who are well-connected with the culture that interests you and ask them directly on their social media or any channels teachers thmeselves indicate you can do that. (Do not intrude with emails or private messages if you did not get an explicit permission from a teacher to do so!) Look for groups of peolpe who share your in interest in working alongside fairies. You may have to cast your net wider at first, and in time, you will find out where do you belong. To this avail, check out the resources listed in the footnotes, and the group of Fairy Witchcraft https://www.facebook.com/groups/fairywitchcraft

I mentioned earlier about learning the language spoken in a certain culture that interests you. Learning Irish has become part of my spiritual practice. It so happens that I’m madly in love with it, but preference aside, I would have engaged with Irish anyway because language is the heart and soul of a culture. A culture’s stories, myths, folklore, were first expressed into its language, and it is in that same language that fairy lore, names, and identity have been transmitted over time. The energetic connection established through language is very strong. Personally, I am committed to learn as much Irish as I can; which doesn’t mean that everybody should become fluent in the mother tongue of their own deities and fairies. While this would be ideal in my opinion, it may be not everyone’s cup of tea. Or glass of beer. Or milk. 

However, everyone can learn how to pronounce correctly the names of the gods, fairy queens and kings, and the name of any fairy, in the tongue of their culture of origination.  It is important to get into the habit of using their proper names instead of the anglicized versions: denizens of the otherworld do care at least as much as we do about having the names properly pronounced. Learn few greeting formulas and maybe few other words that you could use in ritual. I can share from my own experience that any effort in this direction is an offering They appreciate greatly.  As I briefly mentioned earlier in this post and detailed in previous ones, my practice brings together Irish, Norse and Romanian fairy folk. While I am sure that everyone would understand English, I make space in rituals to address each in its own language to whatever extent I can accomplish this. To me, the resulting experience is priceless.

I have mentioned ritual. I am, and have always been obsessed with doing things correctly and this applies, of course, to every aspect of my practice, including ritual.  For a long time, my guiding principle was “do it the right way, or don’t do it at all.” While the intent was noble, the outcome sucked and my rigid approach backfired. 

I’ll use as an example my old approach to celebrating Summer Solstice. In the initial stages of figuring out my own Pagan identity, I decided to use for my rituals a script that I had found in a neo-pagan book that I was very fond of. Modeled as it was on the wiccan approach, the ritual presented there had many steps and involved a lot of preparations. As my practice shifted in time to include Irish seasonal deities, the Fairy Queens and fairy beings associated with Summer Solstice in both in Irish and Romanian traditions, my Summer Solstice ritual turned into a burdensome cacophony. It went something like this: I’d write down the script with all the details and the steps to follow, I’d finish all the preparations, and finally begin. Focused on not saying anything wrong, not doing anything wrong, focused on not omitting anything, I had no mental space, no emotional availability, and no energy left to feel the very magic I was aiming to create. Many times I wasn’t even sure whether I truly did connect with the Powers I had invited. I caught myself on a couple of occasions just wanting the ‘celebration’ to be over. 

I thought of the magic I felt casually, outside any ritual, in those moments when I would address the Powers in plain and simple words streaming from my heart. I used to question that simplicity and wonder, if ritual it’s not done ‘by the book’, is it still witchy enough, magical enough, and most importantly, powerful enough? I tried to think objectively, and asked myself why was I doing ritual work in first place? What was actually important in the ritual for the Power that I honored? What did They want? What would have fairies themselves wanted to receive? Everything pointed toward the need to simplify, to integrate just enough elements from all traditions involved yet mindful about creating redundancies. I did not have to squeeze in everything, only include what was truly relevant, heartfelt and authentic to Them and to myself. 

From that point on, I ceased clinging onto the formula in the book and  stopped doing Procustean bed[3] style rituals where everything had to fit the 13 prescribed steps. I experimented, I let go of any preconceived idea of how rituals should look like. I peeled away all the extras, and settled into doing things that were heartfelt and authentic to my beliefs. 

Samhain altar. Photo by the author, 2021

I encountered likeminded people and discovered that I wasn’t the only one confronted with dilemmas in my practice. I stopped being afraid of seeing, feeling, and doing things a little bit different than prescribed recipes. I catered to the essential instead of the trappings surrounding the essential. I have finally felt at home in my rituals. To be clear, I haven’t lowered my standards, I’ve grown and my practice reflects this growth. I still abide to the principle “do everything correctly or don’t do it at all,” but my definition of doing things correctly has changed to “keep things simple and meaningful, whatever these mean for you and those whom you are honoring.”

The next point that I would like to address is fairies’ interest in partnering up with humans. Occasionally, fairies will make it clear that they are interested in a certain person. Some peole seem to get fairies’ attention without even trying.  Don’t get too excited too quickly because entering such a relationship is a very serious decision and should be considered carefully. In order to make an informed decision, read all you can read about fairies within specific cultural context.  Before expanding and styling your work around more modern ideas surrounding fairies, study the original lore. There is no substitute for this step, no shortcut. Period. Once you are solidly connected to the authentic lore and culture, and once you have an objective understanding of the modern trends in fairy practice, use can your own discernment to build your personal path and practice. 
 
I shall add that when fairies, no matter the culture, take interest in a human, they won’t give up easily. If you decide to refuse enetering partnerships with Them, do so politely. Think of how would you turn away a proposal that you don’t feel inclined to follow without offending the proposing party. After a while you may be left alone, or as it happened in my case, ‘persuaded’ to give in. If you decide to give in, then be prepared for a wild, exhilarating, dangerous, difficult, and immensely rewarding ride. It is best to find a mentor and a closely knit group of people for companions. While not everyone approaches fairy work in the exact same way, and not everyone has the exact same experience of fairies, those called to a fairy-led path can support each other on the journey. 

 

Last but not least, your personal practice shall support your everyday life, and your everyday life should be the backdrop for your practice. Fairy faith it’s not something that you keep in a closet with mothballs on top, something that you take out and wear on special occasions only. Instead, your fairy faith-based practice is meant for every small or big occurrence in daily life, and show up as small but meaningful acts. It can be as simple as pouring a sip of milk and asking for a blessing from the fairies prior to an exam, using some herbs-infused oil blessed by your fairy allies to anoint a child’s forehead at bedtime for good sleep and overnight protection, and lighting up some incense explicitly for Them as an offering of friendship and gratitude[4].

It should go without saying, never stop learning. This too, is an offering that fairies appreciate a lot.

 

Until next time, fairy blessings and thank you for reading,
 
Daniela
 

[1] Christopher Penczack, Temple of Witchcraft

[2] The Celtic tribes did not form a unified people; they were scattered all over Europe. They did not call themselves Celts but the term, coined by the Greeks who called the people outside their own Greek culture keltoi, was used by modern scholars to define these groups who shared loose linguistic elements and beliefs. Irish culture is one of the Celtic languages speaking cultures; not all Celtic languages speaking cultures are Irish.

[3] Procustes is a fictional Greek king who had a bed where he’s get all his guests go to sleep.   However, Procustes would stretch the ones who were too short and cut the legs of those who were too tall, insisting to bring everyone to the perfect size befitting his bed and his standards. 

[4] Offerings is a way to express gratitude as well as to propitiate good relationships with fairies. Offerings can consist of milk, butter, bread, fresh water, honey, fresh fruit, incense. Reading a poem, writing something for Them, dedicating a course of study to Them are also good offerings. More on offerings in a future post.



Monday, November 1, 2021

Redefining Holidays: Samhain, Sâmedru, Alfablót and the Culmination of the Pleiades

For some people, myself included, holidays are much more than mere dates on a calendar or boxes to tick off a timetable. They amount to more than opportunities to socialize, or to engage in rituals just because this is what most people do on such occasions. For me, personally, holidays are seasonal markers and times made special by the energy shifting in particular ways. Right now at the end of October and beginning  of November here in the Northern hemisphere, we are on a cusp: no longer into summer yet not into winter either. Just in between. On the edge. In the liminal space where a lot happens even when it seems that nothing happens at all.

                                         October Sunrise. Photo credit: Daniela Simina, 2021

In Nature, the only constant thing is change. Since natural rhythms have always guided my personal practice, there’s a lot of change happening right now with me as well - inner changes reflecting more than  the fading of one season into another. Over the past few years my spiritual path has become a crucible where fairy lore and traditions from my native land fuse with fairy lore from other lands. 

Occasional mismatches, elements that are dissonant still make their way into my practice because for as long as I’m willing to try new things, experiment, and take risks, mistakes are unavoidable. But, to paraphrase a teacher that I utmost admire, once we know better we should do better. With this in mind, I get on doing what I can do: learn, study, search in depth so I shall know better, and then do better. I think of my personal practice, of my spiritual path in all its complexity, as an alloy. I make thus sure that whatever goes into the crucible truly contributes to the alloy by endowing it with properties that in the end go beyond those of the individual elements thrown into the mix. 


Which means more work.  


I feel thus obliged to delve deeply into studying and learning all that I can about the special markers of the approaching holiday, the transition from summer to winter in this particular case. This year I’m starting anew by entirely reworking the calendar that I follow for personal practice. I’m preparing to honor the seasonal markers in a more comprehensive way, my own, as a walker on the Fairy Path. To this purpose, I’ll follow a continuum of time and space and trace an arc that encompasses the Romanian Sâmedru, the Irish Samhain, and the astronomical, intercultural Culmination of the Pleiades

I’ll begin by re-stating that Samhain, pronounced somewhat like SAH-WEN, and not Sam-hein[1], it is not really a one twenty-four hours shot at a holiday. Or, even if we look at it this way today, let’s keep in mind that once upon a time Samhain was something different. The name of the holiday is Irish. In modern Irish, Samhain means November, and the month of November translates as mí na Samhna, pronounced mee nah Sawna. This name has been used in reference to an entire month, and not to just a one-day event. This whole month, Samhain aka November, carries special significance: it is the time when Autumn finally dissolves into Winter.  It is the time when …or, it was the time when people, whose life depended on farming and agriculture, decided which cattle to slaughter and which to preserve, take stock of the available supplies, make sure there’s enough to get families through winter, and plan for the months ahead. Farmers gathered from the fields all that could be gathered before entering mí na Samhna.  Even today tradition still holds that wild berries are no longer suited  for picking past this date, because the pooka[2] spits or pees on them. 


This has always been a special yet critical time. Critical, because failure to plan for the months ahead could prove disastrous in more than one way. Special, because never do life and death get so close as they do around this time of the year when the otherworld bleeds copiously onto the world of humans. 


Special, because in the merging of the worlds, ancestors and spirit guides come tangibly close. Critical, because this is a time when chances to cross paths with Na Daoine Maithe[3] are significantly higher, and Slua Sí[4] is far more active than usually.



Samhain. Photo credit: Daniela Simina, 2021


The month is heralded by what we have learned to celebrate as Halloween, which means different things to different people. On Ocober 31, Eve of Samhain or Oiche Shamhna, many pagans celebrate the end of the old year and the beginning of the new one. For those celebrating the New Year on this date, as Fall dies into Winter, a new year is born . Ancestors come to enjoy the dumb supper laid out for them. Fairies receive the offerings made to them and hopefully bless givers with good luck. On the eve of Samhain, it is not safe to travel alone. People keep away from places that have a reputation for connection to fairies. Travelers are advised to turn their coats inside out to break enchantments and avoid being led astray by the Good People. Children dress-up for fun and in a very modern interpretation of of the belief, they do so to go unrecognized by the fairies which and minimize the risk for abduction. Jack O’Lantern was customary carved from turnips before pumpkins flooded the markets with their bright, merry, orange sheen. In Ireland it is customary for people to gather inside after dark to share food, play games, tell stories, and divine for marriages and luck in the year ahead. For me, this is a time to connect with my ancestors, leave offering for the Good People and invite their blessings, review my plans for the year ahead and magically support their coming to fruition.


Although Samhain is not Romanian, I feel a strong connection with it, and this is so for several reasons. Firstly, I can’t remain indifferent to the energy shifting at this time: it feels like a whirlpool that simply sucks me in and I don’t see why shall I resist it. Secondly, many other pagans do celebrate the change of seasons and the New Year at Samhain. I like the feeling that I am also part of this larger community and gladly partake of the energy of this moment alongside others. Thirdly, while not a holiday autochthon to my native culture, Samhain is similar in meaning and forms of celebration to a Romanian tradition occurring very close to November 1st. Last but not least, I am genuinely connected to Irish spirituality which means that I’m not just borrowing from the culture, but truly internalize the meaning of elements, practices, and special moments such as Samhain. One reason on top of another, it feels just right to observe Samhain as a time of transition toward winter and a new year. 


After having said all these, I shall add that for me, Samhain[5] is not the one day marker that signals the transition from summer to winter, but an important moment on a continuum of several days of such transition.



Where I come from, Romania, October 26 is known as Sâmedru, a date of utmost importance in the calendar of agrarian communities. Today, same as in a distant past, October 25-26 marks the return of herds from pastures, the end of numerous agricultural endeavors, and the time for last moment arrangements be made in preparation for winter. On the eve of Sâmedru, herd owners pay shepherds their stipend, labor contracts are closed, and tenants pay whatever they owe to landlords. The holiday carries connotations of conclusions, endings, clearing the slate before planning new endeavors. 


Anthropologist Dr. Maria Vivod affirms that the Eastern Orthodox Christian calendar in the Balkans[6] area is a mimetic copy of the calendar observed in pre-Cristian times. The statement is supported by the works of Mircea Eliade, Eva Pocs, and other scholars who studied ethnographic traditions and folklore from Southern and Eastern Europe. In the light of all these, Sâmedru is in fact an ancient celebration of a god who presides over the colder and darker half of the year. Like in many agrarian societies, inhabitants of the territory that is now Romania divided the year into two halves, the summer and winter seasons. Each season was overseen by its corresponding deity: Sâmedru ushered in winter, and Sângeorz heralded summer. These gods and their holidays survived in Christian garb, assimilated into the holidays of Saint Dimitri and Saint George respectively. 

 


Sâmedru, the deity of winter, is regarded as the the one who “locks up the sky and lets the cold in,” – the expression used by different local communities in reference to him. The night of October 25, the eve of Sâmedru, is still celebrated in many parts of the country, especially in the rural areas. The central element of the celebration is the Fire of Sâmedru, also known as the Living Fire of Sâmedru. This is a bonfire that people light at crossroads or on hilltops. At the center of the bonfire a fir tree trunk is placed to symbolize the passing of the old god and revival of the new god. In some areas it is still customary to use nine selected woods to build the bonfire. The celebration stretches into the night, and it culminates with the moment of the central fir trunk collapsing. There are cheers of joy greeting the change in seasons and the arrival of Sâmedru. Bits of charred wood taken from the fire, especially form the central trunk, are collected and preserved carefully because they will fend off disease, malevolent magic, attacks from iele[7], and bring good luck to the household through the months ahead. Women impart to the gathering grapes, apples, nuts, covrigi[8], and rachiu[9]. There’s singing, storytelling, and divination is being done for weather and for love. 



The fire is a celebratory element but has also apotropaic connotations. On this night, all kind of spirits, some of them malevolent, are roaming around. If someone feels threatened by such spirits or under any kind of psychic attack it is customary to wear a garment, usually lingerie, inside out to deflect the unwanted attention.



While I grew up with the tradition of Sâmedru, over years my personal beliefs have changed to include other traditions as well, and my spiritual practice strives to keep up with the changes. This being said, for me Sâmedru is not a one-day marker that signals the transition from summer to winter, but an important moment on a continuum of several days of such transition. (Yes, I am repeating word by word what I have just said about Samhain because it is relevant to the argument I'm trying to make.)



People of the old timed the seasons using the positions of the sun, moon, and stars. “It is surmised that the constellation of the Pleiades (the 7 Sisters) played a part in this [agrarian calendar] to signal the change of seasons and that the cows remained below [near farmhouse instead of pastures at higher altitude] from Samhain to Bealtaine when the Pleiades were high in the night sky.” (O’Dunn Sean, “In Search of the Awesome Mystery”, p24) The author implies that herds, cows in this example, settled in for winter based on a calendar laid out by the position of the Pleiades. Astronomers say that “November is the month of the Pleiades star cluster”. (earthsky.org, 11/19/2021). During this month the Pleiades are visible throughout the night, and on November 21[10] at midnight, the  Pleiades are positioned right above the head. Yearly, on or near November 21, the Pleiades cluster culminates – reaches its highest point in the sky – at midnight.” (earthsky.org, 11/19/2019). To me this is the celestial marker that makes a clear statement about the transition from summer to winter reaching its completion. From this moment on, winter reigns supreme.


But the Pleiades are not just celestial markers whose position in the night sky inform on seasons changing. Directly or indiretly tis cluster of stars appeares to be linked to fairies in folk belief. In the account “The Fairies Dwelling of Selena Moor” there are mentions of fairies as star-worshipers. In some ballad material and older anecdotal accounts (“The Green Children of Woolpit”, https://www.historic-uk.com) there is reference to Fairy as a world where there is no sun or moon, but only stars. There are also modern materials very well researced that speak about the connection between fairies and the Pleiades. One example is “Living Fairy” by fairy expert Morgan Daimler. Personally, I  resonate with this view of the fairies’ connection to the Pleiades, which does have a place in my beliefs.



What follows is just my own integration  of the lore and customs into my own beliefs and practice.

In my personal mythology (for lack of a better word), I associate the star Aldebaran[11] with Sâmedru, the Romanian ancient god of winter. I shall clarify that I do not identify Aldebaran with Sâmedru. This is quite subtle but very important. To me Aldebaran, as a star, illustrates the gradual progression through the seasonal transition. As it moves across the sky Aldebaran speaks about the path and presence of Sâmedru, the winter god.  In practical terms, this path of Aldebaran and the Pleiades informs farmers about the impending arrival of the god and the timing for their activities. Starting early October, Aldebaran and the Pleiades themselves are increasingly more present in the night sky where they rise above horizon around 8:00pm. These stars become easily and fully visible to people mid-September and early October depending on latitude and landforms. At the end of October - early November, the Seven Sisters and the accompanying Aldebaran climb up into their celestial abode for everyone to see.  So, on  the night of October 25, the eve of Sâmedru , Aldebaran, now easily spotted in the sky shortly after dark, announces Sâmedru arrival and readiness to take over as lord of winter. I also equate Sâmedru with the Liminal Power that I honor under the name of The Hunter[12]or Lord of Winter.  The short transition period from summer to winter begins. 



Few days later, on the nights of October 31 - November 2, fairy activity reaches new heights. Fairies travel a lot at this time and encounters with humans are likely. This is a time when I have a blót for the elves and make offerings to my allies from among the Fair Folk and zâne[13]  It is my way of expressing gratitude and propitiate their blessings for the season ahead.  Ancestors draw closer on the eve of Samhain and throughout the days that follow[14]. It is therefore the time to make them feel welcome with offerings of food and drink, decorating the altar with mementos, and lighting candles to light their path thorugh our world.


Finally, around November 21 at midnight the Pleiades reach culmination signaling the time for the God of Winter to take over. The Hunter no longer feels like the newly arrived Sâmedru as he was in late October.  By November 21 he has fully matured into the role he will fulfill for the next six months or so. At the time of Culmination, I clearly perceive the presence of The Hunter, Lord or King of Winter,  endowed as it is with all the attributes deriving from his function. 



Late Autumn Transition. Photo collage by Daniela Simina, 2021

In my Fairy Faith, the Culmination of the Pleiades is a very special moment. Same as in the case of Aldebaran and Sâmedru/The Hunter, I do not put the equal sign between the seven stars and fairies or deities per se. Fairies worshipping stars has for me a slightly different meaning. Since stars, Pleiades in this case, show the change in seasons and describe the rhythms by which the Nature itself pulsate, then fairies worship not necessarily the stars themselves, but the natural cycles, the powers associated with the the seasons which the stars herald. The stars themselves embody Powers and the stars'positions in the sky pinpoint the moment when the Powers act in specific ways. In my own understanding, fairies honor the very cosmic forces that determines a specific cycle, season, or  really large scale natural phenomena. Pleiades are central to fairy belief because they are embodiments of the aforementioned Liminal Powers. As such, the Pleiades show through their movement the nearing or departing of the Power(s) holding agency over the impending season or natural cycle. In honoring the the Pleiades I honor infact the Liminal Powers. So, at the time of Culmination, I give thanks to the Pleiades because according to my own animistic beliefs there is consciousness and power in Them. However, the worship aspect is directed to the Powers who the Pleiades represent, the Powers directly responsible for the season - in this case, winter.


Picture of the author on Samhain 2021


So, what do I do, practically?


As October 25th approaches, I begin my winter preparations. The extent to which I am available and willing to get involved varies, so I do what feels meaningful, enjoyable, and feasible. I may focus on gathering supplies and stuff up the pantry, pencil plans for the holidays ahead,  decide what project am I going to complete over the following two or three weeks and what do I need to give up because it's not worth pursuing. 


On the evening of October 25th, I greet Sâmedru, the Ancient One who heralds Winter. I light up a fire, which depending on the circumstances can be as simple as a lighting up a candle or an arrangement of few candles. I don't not have the luxury of lighting up of bonfire with selected woods and a fir stump at its center so the candles should do. As I light up the fire I acknowledge and welcome Sâmedru, the god of the impending winter. I ask for protection for me and mine. I gather with family and/or friends to share staple foods for this occasion: apples, grapes, nuts, breads, and wine.  Weather permitting, we could eat outside and spend as much time outdoors as possible.  If no one is available for gathering, I’ll set up a small meal by the candlelight, lanterns, or fireplace, just by myself. In eating that small ritual meal, I connect with all my ancestors who observed this holiday and who acknowledged the ancient, liminal power heralding winter. Whether celebrating solitary or with a group, throughout the evening and as late into the night as I would stay up, I make time to take omens, observe, and later on, journal.


As October 31 approaches, I focus on the Fairy peole and ancestors. We decorate the house for the upcoming Halloween about two weeks prior (three weeks ahead if I’m facing pressure, if you have children who are fond of Halloween then you know exactly what I mean). Close to October 30, I set up the altar and decorate it with with items that reflect what Samhain means for me: some deer bones, a raccoon jaw, antlers, few feathers, shells, stones, acorns, and items that represent The Hunter, Lord of Winter and The Queen of Winds- the pair of Liminal Powers that I associate with the season and who would eventually take over starting with the month of November. 

On October 31 I place on the altar pictures of my beloved dead. Since I don’t have the luxury of separate altars, I have one everyday, all-purpose altar where the ancestors have a small, permanent space dedicated to them. In this spot, I place some memorabilia for the occasion. 


As the night approaches, I light up candles and sit on the porch to greet trick o’ treaters. Later, when the laughter and cheers fade away, I go out in the backyard by the Fairy Tree (yes, I have one behind the house) and do a ritual to honor the Othercrowd or the people of Fairy and my allies from among them. Here is one example of how I honor jointly the fairy beings who, in my case, come from different cultures [15]: 


        I start by offering water to the Powers in the four cardinal directions, above and below, asking them to keep and ground the space and those inside it.


        I cast a circle or compass using my ritual blade or just walking the bounds. I do not seek to create an enclosure but rather a portal through which gods and fairy allies can com through.

-             I address the deities whom I honor and who are specifically related to fairies and to this holiday. I give the offerings that I know they prefer. To the best of my ability, I use Irish to I address the Irish gods and bits of Icelandic for the deities related to the Nordic elves. 

-            Then I address those fairy beings who are my patrons and guides and give them the appropriate offerings.

-            If I have planned any magical work, I’ll do it at this point. Then, I return the space to its pre-ritual state and observe to see if there are any omens I should pay attention to. 

On November 1st and 2nd I focus on ancestors. I make offerings of food and drinks to the beloved ones who crossed over. In making offerings I keep in mind the religious beliefs and spiritual practices of each person I offer to. I do my best to tailor what I give and how I give it so it would be well received. I am aware that my very Christian stepfather will be really upset if invited to partake from something that is hardcore pagan. My mom instead, won't care in the slightest about the pagan overtones as long as the offerings include pastries, coffee and a sip of good wine.  I may also visit the old cemetery nearby where I leave flowers graves long forgotten. On November 2nd at sunset, I take the ancestor pictures and memorabilia off the altar. I also take down those decorations which are specific to Halloween. We are now moving closer to winter, 

November 21st , the Culmination of the Pleiades, is dedicated to fairies and the seasonal Liminal Powers that begin their reign on this night. I began my preparations closer to sunset: I set up the altar, put the offerings on a tray, and if I plan to read something, I’ll keep those pages handy. This is the time when I also renew my commitment to the fairies as the leaders of my path.  I speak about renewing my commitment during the ritual when I will also ask for blessings and guidance. I sometimes try to think in advance of what I will say, but the ritual rarely follows the script that I prepared, if ever.   No wonder I’m growing impatient and even a bit nervous as nighttime approaches. I go outside as late as possible, preferably close to midnight. The outline of the rituals that I use for inspiration can be found in “Living Fairy” by Morgan Daimler which is listed in the Bibliography section at the end of the post.  When everything is completed, I meditate or simply contemplate the late November sky where the Seven Sisters together with Aldebaran, their companion, announce that The Hunter, Lord of Winter and The Queen of Winds have been enthroned. I am finally ready to go inside and in the morning I will journal about the experience from the previous night, analyze messages received overnight in dreams, if any, and enjoy time outdoors on the first day of winter.

I truly hope that these insights into my personal practice will help those confronted with the dilemma of blending multicultural practices and spiritual traditions. 

Happy month of November, and until we meet again, Fairy blessings.

Daniela

Bibliography and Resources

Books and articles:

Morgan Daimler, “Fairy Dictionary”

Morgan Daimler  “Living Fairy”

Sean O’Dunn, “In Search of the Awesome Mystery”

Anthony Murphy, “The Island of the Setting Sun”

Websites and links to social media:

"Pleiades" https://lovethenightsky.com/how-to-see-the-pleiades/

"Pleiades" https://earthsky.org/sky-archive/november-is-the-month-of-the-pleiades/

Halloween Divination in Ireland" https://thefadingyear.wordpress.com/2021/10/30/4081/?fbclid=IwAR0YsM_-qEqrYyJLyG37xaKT7VXVGGaAd-bHDmBPOHIbi94TxaicQTGBNVI 

Dr Maria Viviod on Fairy Seers in the Blakan area  https://www.youtube.com/watch?v=ekXf7Z8G21o

"The Fairy Dwelling on Selena Moor" https://www.sacred-texts.com/neu/celt/swc2/swc216.htm   


 

[1] What it is and how to pronounce Samhain correctly https://www.tiktok.com/@carasidhe/video/7012956469972782341?lang=en&is_copy_url=1&is_from_webapp=v1

[2] Pooka is a being in the Irish lore, some link it to fairy, some other to demons, who can shape shift into a horse, or goat. Pooka is well-known for its mischievous nature. Traditionally, whatever is left in the fields after October 31, belongs to the fairies, and shall not be harvested by humans. 

[3] Na Daoine Maithe, translates as The Good People and it is an Irish euphemism for fairies.

[4] Slua Sí, the Fairy Host.

[5] Intended here as the holiday that begins on the Eve of Samhain, October 31, at sunset, and continues through November 1st, Samhain, at sunset.

[6] Romania is located in the Balkan area, and the major religion in the country is Eastern Orthodox Christian. 

[7] Fairies that are quite hostile to humans.

[8] Large, oven-baked pretzels.

[9] The Romanian equivalent of the Irish poteen.

[10] This date slightly shifts in time, either prior or past November 21.

[11] Major star that “accompanies” the constellation of the Pleiades. 

[12] One of the four main Liminal Powers, both deities and fairies, that appear in the fairy witchcraft system practiced and taught by Morgan Daimler.

[13] Romanian fairies.

[14] In Irish and other Celtic language speaking cultures. In Romania the ancestors feast happens few days before October 25.

[15] Fairies have traveled to the American continent alongside immigrants since long ago, and they still do so. I was surprised when I first encountered here fairies from my native land, but I learned that this is not at all uncommon.





Fairy Herbs for Fairy Magic: Working in Partnership with the 'Hidden People'  by Daniela 'Svartheiðrinn' Simina Image credit...